Summary
Around the world, women’s craft-design groups operate quietly but effectively across many areas of making from ceramics and textiles to beadwork and basketry.
Often established as co-operatives, and acting as not-for-profit providers for upskilling, income provision, empowerment and sustainability, women’s handicraft groups play a vital role in numerous urban communities globally. Yet women’s designer-maker groups, particularly those of low-income areas of the global South (or global majority), have still to receive significant attention from design historians.
We argue that this results in a dual inequality; the present limited recognition of such enterprises by the academic discipline compounding the often marginalised economic, social and visual-cultural spheres that women’s craft initiatives occupy as organisations.
Seeking to redress this imbalance, we organised a conference held in March 2024 to shed light on these issues. In particular we sought to posit women’s craft-design as offering an alternative to western / global Northern, capitalist modes of production; remaking approaches and understandings of products as well as designed artefacts themselves.
The conference attracted an international audience and speakers similarly came from across the globe.
Speakers
Photo: Women Engage in Discussion, Adorned by Ringaal Weaving Artefacts in Tangri Village, Uttarakhand, India, Photo credit: Kirti Kumari