(Re)Making. Craft-Design and Women’s Empowerment in the Global South

Summary

Around the world, women’s craft-design groups operate quietly but effectively across many areas of making from ceramics and textiles to beadwork and basketry.

Often established as co-operatives, and acting as not-for-profit providers for upskilling, income provision, empowerment and sustainability, women’s handicraft groups play a vital role in numerous urban communities globally. Yet women’s designer-maker groups, particularly those of low-income areas of the global South (or global majority), have still to receive significant attention from design historians.

We argue that this results in a dual inequality; the present limited recognition of such enterprises by the academic discipline compounding the often marginalised economic, social and visual-cultural spheres that women’s craft initiatives occupy as organisations.

Seeking to redress this imbalance, we organised a conference held in March 2024 to shed light on these issues. In particular we  sought  to posit women’s craft-design as offering an alternative to western / global Northern, capitalist modes of production; remaking approaches and understandings of products as well as designed artefacts themselves.

The conference attracted an international audience and speakers similarly came from across the globe.

Speakers

Catalina Lucía Agudin
Doctoral candidate, Walter Benjamin Kolleg, University of Bern Vital Weaves between Crafts and Design. Collaborative Experiences from the Global South
 
Rukmini Chaturvedi 
Independent Researcher London and New Delhi, Multiplying the Divide – the Bridge to Nowhere: Hierarchies and Gender
 
Georgina Gluzman
Assistant Professor of Art History and Gender Studies, Universidad de San Andrés, Buenos Aires Why Not Indigenous Today? Mónica Millán’s and the Ethics of Ao po'i
 
Eve Grinstead
Doctoral candidate, Institut d’histoire moderne et contemporaine, École Normale Superieure, Paris,  Women weaving their way in the newly formed United Arab Emirates
 
Yen Lin Kong
Assistant Curator (Design), National Museum of Singapore Rewriting tradition: Women and the embodiment of knowledge in Singaporean woodcraft, 1950s – '80s
 
Gizem Öz
Assistant Professor Industrial Design, Kadir Has University, Turkey, Learning from a Communal Weaving Practice as a Source of Design Knowledge
 
Harriet McKay
Senior Lecturer, School of Art, Architecture and Design, London Met University, Cooking as craft and urban empowerment in Marrakech, Cape Town and Kigali
 
Swapnesh Samaiya
Independent Researcher & Doon University, Dehradun, India, Crafting Change: Creation of Identity and Community in Ringaal Weaving in Uttarakhand through Skilling Interventions
Women Engage in Discussion.

Photo: Women Engage in Discussion, Adorned by Ringaal Weaving Artefacts in Tangri Village, Uttarakhand, India, Photo credit: Kirti Kumari

Team:
 
Partners:
Professor Anne Massey, University College of the Arts
 
Duration:
10.01.23 - 05.01.24

 

 
Play Video

 

 
Play Video

 

 
Play Video